| Artillery Barrel and Carriage Design XVII Century Polish Artillery
(c) 2001 richard j. orli |
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See also Horse Artillery in the XVII Century? A XVI Century Polish Artillery Manual, by dell'Aqua A XVII Century Polish Artillery Manual, by Casmir Siemienowicz |
| Boleslav Orlickis Horse Artillery's field
gun ('Kismet') carriage design, illustrated below, is appropriate for general field
artillery and for horse artillery use. Advanced designs of this type were developed
in the mid 17th C. This actual illustration is from a French source, documenting
1730's revisions to a 1690's design (Diderots Le Encyclopedia Des
Armaments).
At Right, an early to late 17th Century carriage of the older 'Spanish' style. This is a much larger piece, a 24 pdr., which might have been used in the field but was more likely a siege gun. The carriage is nevertheless typical of the period. Wheels were shod with strakes (iron bars reaching from
mid-point of each felloe). The single-piece hoop-tyre method was not invented until 1820.
Wheelwrights gradually stopped using strake bands in the late 17th C. for
lightweight wheels for light pleasure carriages. It is possible that light horse artillery
also started to use wheels without strake bands relatively early. However, strake bands
continued to be used on heavy freight and cannon wheels as late as the19th C. See my
article This Old Wheel for more than you ever wanted to
know about wheels.
Right, an English carriage of the 1640s, quite similiar to the Spanish design.
Right, a mid 1500's Polish design, Left, a Polish falconette (2 pdr) of the late 1500s. Note the very light and comparatively large wheels. To the right, a Polish barrel of the late 1600s.
Left
In contrast to the 'Spanish' style foot artillery carriage, the Polish horse artillery carriage typically had the following features: 1) Larger yet lighter wheels (for easier rapid movement), 2) greater use of metal reinforcement, allowing greater strength with less weight (the mid 1500's Polish carriage above is the oldest design I know of that is entirely metal-shod), 3) Use of a limber with full-sized wheels, and a traveler trunnion position to balance the load, 4) some hardware to facilitate rapid limbering and unlimbering, 5) hand-spikes, for rapid field movement, aiming and re-orientation. They seem also to me to have wider distance between wheels, but that may be an illusion as the pieces are generally smaller - they may all have been of the same standard wagon distance, to make use of road ruts (although, this was not a universal standard, and even varied county-by-county in England). Horse artillery guns also were the first pieces to use screw elevation quoins (probably 1660s), which made for fewer parts to misplace on the battlefield. The parts (right) from a six pdr. 17th C. Polish Carriage
The Swedish regimental field gun (right and left) of the
1630s seems to share some characteristics of both the older and newer carriage
forms. The barrel shown has an unusual design, with the touchhole angled sharply
back to the rear of the gun - this design may not have been standard. Turkish Cannons Those devious Turks will stop at nothing! Must assume there is another cannon on the other side for balance. Notice the lit match - ready to fire?!?! Well, T. Kosciuszku in his 1800 treatise Maneuvers of Horse Artillery (prepared for the American army, published 1808) mentioned that when he first brought up the concept some officers apparently thought that he meant that the artillery pieces were to be strapped on the horse's back. Seriously, though; the image may be an accurate portrayal of cannons in transit, and the artist may have misunderstood... the lit match may be a bit of his imagination. In fact the Turks' most numerous cannon in the field army was the one and half-pounder, called shahi zarbzen , which wieghed 125 pounds. Two such were carried by a strong packhorse; and a camel would have no problem with such a load plus rider as well. The field carriages were carried dismantled on other pack horses, or in wagons; or tripod firing stands could have been constructed in the field from local materials. (The Scots used a similar system, with their lightest cannons.) The Turks were effective engineers and their artillery use was good, really excellent in sieges. Because so many of their operations were hundreds of miles from their major cities, they mastered the practice of casting large cannon locally, when preparing for a siege. For example, five 70 pdrs and three 50 pdrs were cast in preparation for the siege of Baghdad, and rafted the remaining few miles to firing position. (R. Murphy, Ottoman Warfare 1500-1700)A culverin of this period would likely have been more ornamented than Kismet. While many late 17th C. guns had plain dolphins, usually one or more devices (guns name, General of Artillery coat of arms, Kings crest) would have been cast into the barrel. Many plain barrels were, however, made; some have recently been found in a recovered shipwreak in Sweden.
The carriage is painted royal blue (a medium-dark blue which looks light blue in the picture, because of the sunlight), because my research at the time led me to believe that was the color of French artillery (who usually picked blue to go with Bourbon white), and it would work well enough for a Swedish or Polish or even American Rev War militia gun. I have since learned that French artillery was painted bright red in the late 17th C., but they likely were varied colors prior to 1680, or even in 1690 the red color may have applied only to the larger ordinance. (Spanish guns were painted all black, but perhaps not until after 1700). Most guns of the 17th C were NOT painted gray, contrary to modern expectations.
Guns similar to Kismet Kismet Bronze undecorated, 2000 Length 900 mm Caliber 57 mm (2 pdr) Length/caliber ratio: 16 Location: My garage Existing Polish cannons (armat or dzial (dz-aow)) like Kismet. The following all have private (or palitinate or county) markings rather than Crown or Lithuanian markings, so were not part of the official artillery establishment. Bronze Marked with arms in design of waves and helmet, 1637 Length 899 Caliber 60 (2 pdr) Length/caliber ratio: 15 Slaskie Museaum of Worclaw Bronze., Almost undecorated and undated, simple design. 1660s-1680s, Length 1384 Caliber 70 (2.5 pdr) Length/caliber ratio: 20 Army museam of Warsaw Bronze, arms of Galley 1682 Length 1100 Caliber 68 (2 pdr) Length/caliber ratio: 16 Army museam of Warsaw Bronze, arms of Korczak 1666 Length 1120 Caliber 73 (2.5 pdr) Length/caliber ratio: 15 National Mueasm at Cracow Brass, arms of Donhoff 1681 Length 1780 Caliber 53 (2 pdr) Length/caliber ratio: 33 Army museam of Warsaw see also Horse Artillery in the XVII Century? and A XVI Century Polish Artillery Manual, by dell'Aqua and A XVII Century Polish Artillery Manual, by Casmir Siemienowicz and more on wheels This Old Wheel some pictures reproduced with kind permission from Polish Renaissance Warfare by S. A. Jasinskiht.htm |